Sitemap - 1980 - A Sense of Place Magazine

Dr Feelgood, Music Column, Campaign, December, 1980.

Rejection letter, Hoopla Theatre, 1980.

Thoughtful rejection of From Here to Oblivion, Melbourne Theatre Company, 24 November, 1980.

Very charming rejection from Richard Wherrett, Sydney Theatre Company, 20 November, 1980.

Pissed off with Campaign, 6 November, 1980.

Roy Orbison, Interview, Campaign, November, 1980.

Tactics for Summer, Campaign, November, 1980.

Colin Griffith Circa 1980

Cock Rock, Interview with Stuart Coupe and Rowen Davidson, Campaign, late 70s, early 80s.

Acknowledgement of receipt, From Here to Oblivion, Hoopla Theatre Foundation, 2 October, 1980.

Acknowledgement of Receipt, From Here to Oblivion, Nimrod Theatre, 2 October, 1980.

Mod grows better in the springtime, Campaign, 1970s.or early 1980s

Rushed off your feet to a disco beat: A Musical Geography of Sydney, Campaign, 1970s. Illustrations by artist John Nelson.

Acknowledgement and kind brush off, From Here to Oblivion, Queensland, 30 September, 1980.

Orchestral Manoeuvers in the Dark, Campaign, 1980.

Wayne Harris: Gay music culture, Campaign, 1980.

Acknowledgement, From Here to Oblivion, Queensland Theatre Company, 19 September, 1980.

Acknowledgement, From Here to Oblivion, Sydney Theatre Company, 17 September, 1980.

Letter from Don, re MTC, From Here to Oblivion and other things, 16 September, 1980.

Acknowledgement of receipt of From Here to Oblivion, Melbourne Theatre Company, 16 September, 1980.

Ash publishes One Moment The Street, Rosie Jones, 2 September, 1980.

Dismember September, Music Column, Campaign, September, 1980.

The Plays: From Here to Oblivion, 1980. Pages 11-20.

The Plays: From Here to Oblivion, 1980. Pages 21-30.

The Plays: From Here to Oblivion, 1980, Pages 31-40.

The Plays: From Here to Oblivion, 1980, Pages 41-50.

The Plays: From Here to Oblivion, 1980, Pages 51-60.

The Plays: From Here to Oblivion, 1980, Pages 61-70.

The Plays: From Here to Oblivion, 1980, Pages 71-83.

Interview with Malcolm McLaren, creator of the Sex Pistols, Stiletto, early 1980s.

Photo, in Ulladulla, south coast, NSW, Australia. Circa 1980.

Fully committed with space, Susan Kurosawa, Deadline Press, 13 August, 1980.

I regret to advise, Literature Board, Australia Council, 31 July, 1980.

Transcript of interview with Alfred McCoy, Author of The Politics of Heroin in S.E. Asia and Drug Traffic - Narcotics and Organised Crime in Australia

The Popular Mechanics. Australian Rock/Power Pop Band 1980. Original Copy and transcript of interview. Unsure of exact date or publication.

Interview, Alfred McCoy, Author of The Politics of Heroin in Southeast Asia, The Tagg File, 1980.

Winter Rock, Campaign, July, 1980.

Photo, London, Tottenham Court Road, Circa 1982.

Cities of the Red Night, Book Review, Campaign, Circa 1980.

The Oxford Weekender News, Christmas and New Year, Regular Contributor, Circa 1980.

Photo, on a creek somewhere, Circa 1980.

Photo, somewhere, Circa 1980.

Photo, Ulladulla, Circa 1980.

Diary note, Circa 1980.

Letter to youngest brother Warren on the occasion of his graduation from Sydney University, Circa 1980.

ASH trying to send me a copy of their issue with One Moment The Street in it, 1980.

Letter from Johnny Allen, First Australian Festival of Cabaret, Circa 1980.

Another letter to musician Ian Farr, Circa 1980.

Letter to Ian Farr, Circa 1980.

Letter to my brother Doug's wife Lee after they refused to invite my then partner to their wedding, Circa 1980.

Submission of a story on India to editor Phil, forgotten what publication he edited, Circa 1980.

Land's End, England. Circa 1980. I cycled from London to Land's End.

At the front gate of Finchley, Martin Portus and Dean, Circa 1980.

Photo, at the front gate, Finchly, London, England, Circa 1980.

Photo, with Martin Portus in England, Circa 1980.

Photo, England Circa 1980.

Jumpin' Through June, Campaign, June, 1980.

Out of the Bars and into the Streets, 1980.

The Plays: As Time Goes By. Act III. June, 1980. Set against the first Mardi Gras protests. Pages 1-10.

The Plays: As Time Goes By. Act III. June, 1980. Set against the first Mardi Gras protests. Pages 11-20.

The Plays: As Time Goes By. Act III. June, 1980. Set against the first Mardi Gras protests. Pages 21-30.

The Plays: As Time Goes By. Act III. June, 1980. Set against the first Mardi Gras protests. Pages 31-40.

Letter from David, June, 1980.

Letter from Johnny Allen, Cabaret Conspiracy, Circa 1980.

As Time Goes By, Gay Theatre Stands Centre Stage in Sydney, Campaign, 1 June, 1980.

Poster for As Time Goes By, Filmaker's Cinema, Darlinghurst. 1 June - July, 1980.

Rockin' Through the Month of May, Campaign, May, 1980.

Matt Taylor reincarnated, Campaign, 24 May, 1980.

Note from Verity Laughton, Editor at that time of ASH re One Moment The Street, Circa May, 1980.

Anglers Dream, but there's a catch Sydney Morning Herald, 8 March, 1980

Early Fiction: One Moment The Street, Ash Magazine, 1980.

Interview with Glem Gorman, Backstage Rock: Behind the Scenes with the Bands, The Tagg File, 1980.

Soiree with a Cringe on Top, Airwave, February, 1980.

Rejection letters for a book of interviews The Cynical Seventies.

Coming Clean, Interview, The Village People, Campaign, 1980.

Jimmy and the Boys, Interview, Campaign, 1980.

Life, the Universe and Everything, Douglas Adams: Interview, Campaign, 1980.

Book Review, Gaywyck, Campaign, 1980.

The Association of Community Theatres, Response, From Here to Oblivion, 9 January, 1980.