A note from poet Vicki Vidikas, 1987.
Vicki Vidikas, who I first encountered in the 1970s and knew for many years, including a particularly mad and memorable trip through Central Australia where she never stopped talking, was always a difficult person.
This is a note she sent me accompanying a story she was getting published.
Bruce Pascoe was her very long suffering publisher.
She was always complaining nobody paid her what she thought she was worth.
And here's a couple of stories about her after her death in 1998.
I saw her just a few weeks before she died, after she had left a gangster boyfriend and was running a very heavy heroin habit in and around Kings Cross.
http://www.smh.com.au/entertainment/books/vivid-sketches-from-an-age-of-liberation-20100514-v3m9.html
A clear-eyed traveller captures the bohemian underbelly of the 20th century.
For Vicki Viidikas, life and writing were inextricable. She spun her writing out of the life she lived. She wrote and travelled endlessly, up and down the coast of Australia from Melbourne to Mullumbimby, through Thailand, India, Israel, England, France and Greece. In part it was the hippie trail, an ongoing search for experience, excess and enlightenment. She empathised with the varieties of religious experience she encountered, while remaining detached. She did a lot of drugs. She followed the path of the wandering troubadour. It is an honorable tradition. Arguably, it is the true tradition.
https://cordite.org.au/interviews/barry-scott/
Vicki Viidikas Rediscovered: Ali Alizadeh Interviews Barry Scott
1 April 2010
In May 2010, Melbourne-based publisher Transit Lounge will release a much-anticipated collection of published and unpublished poetry and prose by the iconic Generation of '68 poet andĀ l'enfant terrible,Ā Vicki Viidikas(1948-1998). The book, simply titledĀ Vicki Viidikas: New and Rediscovered, has been edited by Transit Lounge co-founderĀ Barry Scott.Ā Cordite's reviews editorĀ Ali Alizadehspoke to him about Viidikas, her iconoclastic work, her unconventional life, and her legacy.
Ali Alizadeh: Could you talk about your decision to edit and publishĀ Vicki Viidikas: New and Rediscovered? What's significant and exciting about Viidikas and her work?
Barry Scott:Ā I first came to the writing of Vicki Viidikas through the prose poetry collectionĀ India InkĀ (Hale and Iremonger, 1984) and was so moved by her approach and subject matter that I quickly sought out her other three books,Ā WrappingsĀ andĀ KnabelĀ (Wild and Woolley) andĀ Condition RedĀ (UQP) all published in the seventies. A shared interest in India and spirituality can only partly explain the magnetic pull her writing exerts over me.
Vicki was drawn to outsiders and the empathetic way she writes about them could only come from someone who at times also felt marginalised and outraged at the way people who were individual or different could be ostracised. āI gravitate towards people who are misfits or trying to be themselves,' she said in a 1975Ā VogueĀ interview. For Viidikas writing was an emotional, intuitive act, often confessional but always carefully honed and realised.
A NOTE AND ACCOMPANYING STORY FROM VICKI VIDIKAS
